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Of saxophone penn state university d- 7 g7. uk/ jazzarticles. they are created by interjecting one or more nondiatonic passing tones into the chord scales. down and up ( in all keys) dominant bebop scale major bebop scale direction changes ( in all keys) dominant bebop scale major bebop scale chord tones enclosure ( in all keys) dominant bebop scale major bebop scale. when these passing notes are added to the diatonic chord scale certain notes then stand out in the scale. this concept stems from the bebop language. bebop scales ( down and up) the bebop scales add a chromatic passing tone to the basic scales so that strong chord tones occur on the strong beats. 1 50 bebop licks for the ii- v- i progression pdf compiled by david stambler professor.
c7 bebop scale ( natural 7th added) barry harris has a way of making scales " fit" into bar lines which he calls: the half- step practice model. the strong chord tones are root, 3rd, 5th and 7th on the dominant chord and root, 3rd, 5th and 6th ( not 7th) on tonic major and minor chords. and it' s all about rhythms. part one: learning the model what is the " bebop exercises pdf practice model"? without going into too much detail ( no spoiler alert here! html bebop is much more than just one particular style, it is pretty much the “ grammar” of modern jazz, and bebop “ licks” are not so much cliches as essential elements of speech within the jazz language. bebop scales are chord scales with added chromatic bebop exercises pdf passing tones. bebop dominant scale exercises play through all the bebop dominant scales in all keys ( added chromatic tone between 7th and root). perpetual motion bebop exercises jason lyon www. there are several commonly pdf used bebop scales, major and dominant are the most common.
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